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By Her Hand: Artemisia Gentileschi and Women Artists in Italy, 1500-1800

By Her Hand: Artemisia Gentileschi and Women Artists in Italy, 1500-1800

Current price: $40.00
Publication Date: November 30th, 2021
Publisher:
Detroit Institute of Arts
ISBN:
9780300256369
Pages:
208

Description

A brand new look at the extraordinary accomplishments of early modern Italian women artists

This generously illustrated volume surveys a sweeping range of early modern Italian women artists, exploring their practice and paths to success within the male-dominated art world of the period. New attention to archival documents and detailed technical analyses of the beautiful paintings featured here—ranging from historical subjects to portraits and still lifes—offer new insight into the ways these women worked and their accomplishments. Essays and catalogue entries by an international team of distinguished art historians examine the works of Artemisia Gentileschi, Sofonisba Anguissola, Lavinia Fontana, Fede Galizia, Elisabetta Sirani, Giovanna Garzoni, Rosalba Carriera, and other less known Italian women artists. Through these works of art in diverse media—from paintings to prints—the fascinating stories of early modern Italian women artists are revealed.

Distributed for the Detroit Institute of Arts

Exhibition Schedule:

Wadsworth Atheneum, Hartford, CT
(September 30, 2021–January 9, 2022)

Detroit Institute of Arts
(February 6–May 29, 2022)

About the Author

Eve Straussman-Pflanzer is curator and head of the Italian and Spanish Paintings Department at the National Gallery of Art, Washington, DC. Oliver Tostmann is Susan Morse Hilles Curator of European Art at the Wadsworth Atheneum, Hartford, CT.

Praise for By Her Hand: Artemisia Gentileschi and Women Artists in Italy, 1500-1800

“The book is uniquely conscious of its place in the historiography of the subject, avoiding essentialist claims.”—Jesse Locker, Art Newspaper

“Among numerous works in By Her Hand that have never been exhibited before, a set of four large pastels by Rosalba Carriera is outstanding. . . . Oliver Tostmann provides an excellent discussion of the set, focusing on their iconography.”—Richard E. Spear, Kunst Chronik

“Beautifully illustrated and solidly documented. . . . Highly recommended.”—J. K. Dabbs, Choice