Slow Narrative across Media (THEORY INTERPRETATION NARRATIV)
Description
Slowness is frequently seen as a response to modernity’s cult of speed and efficiency, and its influence in contemporary culture can be felt in artistic trends such as “slow cinema” or “slow TV.” Despite the popularity of these labels, however, slowness remains undertheorized in contemporary narrative scholarship. What makes a narrative slow, and what conceptual and analytical tools are best suited to account for this slowness? Is slowness a feature of certain narratives, an experiential response to these narratives, or both? How is narrative slowness related to the pace and rhythm of plot, and how does it carry cultural significance?
Slow Narrative across Media illuminates the concept of slow narrative and demonstrates how it manifests across media forms: from short stories to novel cycles, to comics, to music, to experimental film. Led by editors Marco Caracciolo and Ella Mingazova, contributors draw on cognitive and rhetorical approaches to narrative as well as on econarratology to bring into focus both the media-specific ways in which narrative evokes slowness and the usefulness of a transmedial approach to this phenomenon.
Contributors:
Jan Baetens, Raphaël Baroni, Lars Bernaerts, Marco Caracciolo, Karin Kukkonen, Ella Mingazova, Peggy Phelan, Greice Schneider, Roy Sommer, Carolien Van Nerom, Gary Weissman
Praise for Slow Narrative across Media (THEORY INTERPRETATION NARRATIV)
“Slow Narrative across Media offers a comprehensive theory of slowness in narrative flow that privileges complexity over reductionism and reflection over consuming stories for thrills: a ‘time out’ from capitalist cultures of speed. It affords a great deal of textual and cultural context, finding its strength in a nuts-and-bolts approach, rather than a philosophical one, to narrative theory.” —Lalita Pandit Hogan, editor of Criticism and Lacan: Essays and Dialogue on Language, Structure, and the Unconscious
